DRTCC Blog

The ABBA Show

Monday, March 12, 2012

 

 

Monday 16 April 8.00pm

The ABBA Show is a stunning musical biography that captures the essence of the Swedish pop phenomenon with flawless musicianship and breathtaking theatricality. With over 3000 international performances in 23 countries, 2012 sees the return of The ABBA Show to theatres across the world.

You’ve seen the movie, you may have been lucky enough to see the musical, but nothing compares to the concert experience and musical biography that is The ABBA Show.

“I have never seen an audience react to a show like this one. The whole theatre was dancing all night.” - Q Magazine

Special Offer: Book your tickets between Monday 12 March to Friday 23 March to recieve $5.00 off the adult ticket price with the codeword ABBA.

  

 

 

 

Syncopation
15 March

 

Dorothy The Dinosaur
19 March

 

Shaolin Kung Fu
29 March

 

Dusty and The Divas
31 March

 

Cliff Joins The Beatles
20 April

What value do you place on creativity?

Saturday, March 03, 2012

DRTCC prides itself on pitching ticket prices at an affordable price to bring in the audiences to fill the seats. The art of negotiation comes with having 30 years experience in the industry! But there are two ways in the end process that ticket prices come into being. For the shows that DRTCC lures to Dubbo, we set the ticket prices based on how much the show costs to include in our Season. Other shows that are added during the year come after a show’s promoter contacts Theatre management. The promoter then sets the ticket price based on what they believe they can reasonably charge, which as you may well know, can be anything up to $69.00 and beyond. Some of you may still be scratching your scalp thinking “what the?” Well, here is an insight into the ticketing framework.

There is a guy who many believe has a great job some would say "the best job in the world". He works very hard doing what he does, but where you and I get paid based on the number of hours we work, his income is dependent on the success his creative work achieves. In the beginning, he was working 14 hour days and not getting paid anything. The body of work he was creating was more like an investment. He could create this work, or "investment", now and if he found success the investment would pay off later. He couldn't afford the luxuries that you and I can at the end of our working day, so he also needed a paying job, in addition to the 14 hours a day he was already working.

As he worked harder and harder at his "investment" he started finding that others liked what he did and began offering him money so that they could also enjoy his work. He was getting paid, but still not enough to earn a decent living, so on top of him presenting his work for others, he also needed to maintain his 14 hour a day "investment" to increase the possibility that more people would like his work.

When you go to see a performance, I imagine that many of you have never given much thought to exactly how much work goes into getting that performance from being an idea in someone's head to being a live experience on-stage. Entertainment seems to have become something that many people take for granted. Because we feel a need to be entertained we assume that it is something that we have a right to enjoy on demand. The term ‘dance monkey, dance’ comes to mind.

But the point of view changes when you consider that the actors, producers, technical staff, writers and the countless others it takes to create a body of work are simply performing duties from their day job. The same as you do when you go to the office every morning. They must earn a living just like anybody else. Just like you, they live in a house, eat food, drink water, use electricity, watch television and drive cars. They have children, wives, husbands, boyfriends, girlfriends, dogs, cats, fish and birds. They enjoy reading, taking photos, watching movies and hanging out with friends. They shop for groceries and new jeans. And just like you do, they need to pay for it all. That’s why they have a job.

It’s common knowledge that in the twenty-first century, artists no longer earn their income by recording CDs or releasing videos. Their income is generated from touring. So those countless 14 hour days are not worth anything unless they are performing their work on stage.  It has taken many current professional performers ten years or more to become an ‘overnight’ success.

But even for a one person show, there is a creative process that could involve, at a minimum, 50 other people - just to get one guy and a microphone onstage. And in addition to the performer, all those people also need to be paid and paid enough to afford what they need to survive.

Every live touring performance has a price tag based on the amount of time it has taken to create that performance, in the same way that a car has a price tag. The better quality a car is, the more expensive it is to create and therefore the more expensive it is to buy.

If you would like to buy a Ferrari but can't afford it, is it worth complaining that it is too expensive? Or do you purchase something that is closer to what you can afford? Keep in mind that Ferrari doesn't care that you are on a pension. Their workers have mouths to feed and houses to keep - just like you do. When a live performance is purchased, the cost is obviously passed on to those who would like to enjoy that performance - those who buy the tickets.

If a ticket to the Theatre costs $69.00 it means that in the time it has taken to get the performance to you, on stage in the Theatre, $69.00 is how much it has cost to create. With a little added on so that everyone who worked on that performance can feed themselves.

Keep this all in mind the next time you query a high ticket price. Just ask yourself, “Would I invest so much of my time, talent and effort for no immediate payment?” Creative people can’t offer to do it for ‘love’.

Even a $70 ticket doesn't sound so expensive now, does it?

Syncopation

Wednesday, February 29, 2012

Syncopation

Thursday 15 March 7.30pm

“A compelling story that promenades, foxtrots and tangos to life.” - The Age

Henry Ribolow is a Jewish meatpacker crazy with a dream of becoming a ballroom dancer, and desperate for a dance partner. Anna Bianchi, an Italian Catholic seamstress, is unsatisfied with her life until she spots a curious ad in the paper: “Give your life a lift. Wanted: A dance partner to dance for royalty.”

From the moment Anna summons up the courage to answer the ad, sparks fly. As Anna and Henry take their first steps together they embark on a journey that will transform their lives.

  

  

 

           

  

Guy Sebastian Armageddon Tour 2012

Monday, February 13, 2012

For the first time in two years Guy Sebastian will be headlining his own tour across Australia. The tour will  coincide with the release of his highly anticipated seventh album Armageddon – and will undoubtedly be his biggest and best to date.

 

Guy Sebastian - Armageddon Tour 2012

Thursday 7 June 7.30pm

“I’m so excited to get back out on the road! I’m playing shows in places I’ve never visited before and I can’t wait to get out and do what I do best, which is sing and hang out with my fans. This one is going to be big!” - Guy Sebastian

Guy Sebastian is one of Australia’s greatest singer-songwriters and has proved his place as an Australian idol. After winning the first series in 2003, Guy captured the hearts of Australians with his unique and incredible vocal talent.

 

  

 

 

 

 

           

 

 

The Joys of Selling Tickets

Friday, February 03, 2012

For most patrons, purchasing a ticket to the Theatre is quite simple. Visit the Box Office, select your show, trade your money for a ticket then wait for the performance day to come around. But for others it seems to be an undertaking more akin to delivering a gold ring into Mordor.

It's not only enough that you choose a performance to see; one must consider the exact angle to which available seating faces the stage and how many steps it will take to reach the row. What about the extra 3 millimetres of leg room in Row G compared to Row D? Seemingly, the planets must be in alignment. A butterfly flapping its wings in Nagasaki will ultimately determine if this is going to be an enjoyable show...or not.

Then come show day, an agenda is set to dispute the "high ticket prices" and lack of a centre aisle, completely ignoring the fact that last weekend when you saw a show at the Sydney Opera House it cost $200 for the ticket alone and their rows of seating, double the length of the seating in The Joyce Schneider Auditorium, also had no centre aisle.

But, of course, like a very special few of our patrons, I am being over-dramatic.

Developing a positive culture surrounding a new multi-million dollar performing arts venue in a culture-starved environment of Dubbo was always going to be a challenge and negative opinions are always a given. For the staff of DRTCC, the Theatre is part of our being and every comment directed at the Theatre is taken personally. There is no more apparent sign of this than on the front line, the trenches of customer service – The Box Office.

Box Office staff are the face of a Theatre. When there is no other representation, they are always present. Immune to bad days and mood swings. Happy to take your comments on board and pay particular attention to those expressing constructive criticism.

The interaction is not only limited to personal contact. Box Office staff are also responsible for
management of DRTCC's online communication resources. You like us on Facebook, you follow us on Twitter and you Google us at drtcc.com.au.

They see your excitement when you arrive in the foyer on performance night. They see you smile when you meet your friends. They share your experience when you think no one is with you.

All about selling tickets, they are not. Box Office staff manage a list of daily duties that makes being a housewife seem mundane. While waiting for the next eager patron, they are responding to email enquiries, compiling performance information for media sources and running any number of statistical reports for the Mayor, General Manager, Director, Manager, Coordinator and local media.

They are using graphics programs, HTML code and extensive customer databases to write, design and distribute email marketing campaigns. They design PowerPoint displays for corporate promotions and create membership cards, event invitations and show programs.

And all this happens while you are trying to find your credit card in your wallet.

Overall, people are excited when they buy tickets to a show that they have been looking forward to. Most are just happy to be there and sharing the experience with friends, family and workmates.

Every patron who walks into the foyer is different. The saying goes, if you asked one hundred
people a true/false question, you would get one hundred different answers. You wouldn't think that buying a ticket to a show would mean finding a solution to a multitude of variables. When you factor in your mother-in-law who can't walk up stairs, your daughter who will only sit in the back row, your son who wants to sit on his own, your third cousin in town for the weekend who needs to sit on an aisle seat and your husband who would rather sit at the bar, the equation can get quite complicated.

When you consider that just two years ago many people in Dubbo had never stepped inside a theatre and those who had needed to travel for the opportunity, you realise why we send media releases every time we reach a ticket sales milestone. It has taken a lot of work to change the opinions and attitudes of so many people in such a short period of time.

The role of Theatre staff is not only to accommodate great performances. It is to educate potential theatre-goers of the benefits of theatre and to cement DRTCC into the everyday lifestyle of Dubbo and the region.

Last Chance for Exclusive Presale Tickets!

Wednesday, January 04, 2012

Intriguing, International and Irresisitible! DRTCC is back for 2012!


We trust you enjoyed a festive New Year and hope you are looking forward to 2012 as much as we are.


The 2012 Subscription period will be coming to an end on Friday 13 January. This will be your last chance to secure the best seats in the house at great prices before all of our 26 Season shows go on sale to the general public.


To become a Subscriber all you need to do is choose at least three performances from our 2012 Season of shows and book your tickets by Friday 13 January. Bookings can be made ONLINE or by completing the Subscription form in the centre of the 2012 Season Brochure

If would prefer to book your shows one at a time, tickets will be released for general sale from Saturday 14 January from www.drtcc.com.au and from Monday 16 January from the Theatre Box Office.

 

     

 

John Waters: Looking Through A Glass Onion - Up Close and Personal

Wednesday, December 14, 2011

John Waters: Looking Through A Glass Onion - Up Close and Personal

Saturday 4 February 8.00pm


On stage, with shadows from the lighting arrangement fluttering over his face as he explores the essence of the man through song and spoken word. Waters, becomes synonymous with Lennon. He shies away from imitating the artist, but so emotive is his performance, it lulls the audience into believing anything is possible. It’s part concert and part biography, though it doesn’t seek to tell the full story of Lennon’s life.


For the audience this is either an emotional trip down memory lane or a wonderful introduction to the life and times of one of the most fascinating icons of our time. With 31 songs performed including to name a few, A Day in the Life, Strawberry Fields Forever, Revolution, Lucy In the Sky with Diamonds, Woman, Jealous Guy, Imagine and more, this is a show for all ages.


"A remarkable celebration of a unique talent... Waters does it brilliantly" The Spectator, London


  

  

 


           

Petula Clark - Once More With Love

Tuesday, December 06, 2011

 

The lady, her music returns... Once more with love

Petula Clark

Thursday 22 March 8.00pm


The Legendary Film and theatre music star and two-time Grammy Award Winner Petula Clark returns for an Australian Tour in March 2012, proudly presented by ATA AllStar Artists, who brought Ballet Revolucion which sold out at DRTCC in August this year.


Her career has been extraordinary and outstanding that has spanned over 65 years, with more gold albums to her credit than any other British artist. She has sold in excess of 68 million records throughout her career, and is one of the most sought-after recording artists and concert personalities in the world today.


Book your tickets before Friday 23 December to take advantage of the EARLY BIRD SPECIAL rate of just $64.90!


  



        


 

Cliff Joins The Beatles: A Music Fantasy

Tuesday, November 29, 2011

Cliff Joins The Beatles

Friday 20 April 8.00pm


The music and the magic that defined a generation. A tribute to the greatest band the world has ever known and the most timeless artist of the rock n’ roll era as they come together to create a music fantasy that is more fact than fiction.


Over two hours of unforgettable hits that shaped an era and left all who lived it on a high. If you remember the 60’s you weren’t there but when you join Australian music legend Marty Rhone and the remarkable Beatle Boys you will experience an evening you will never forget.


  

 

2012 Season Announcement

Monday, November 21, 2011

  

Those lucky enough to have secured a ticket to the Launch of our 2012 Season of Shows were treated to an insight into the AMAZING lineup of performers we have on offer for our third Season.

Virtuoso pianist DAVID HELFGOTT will be joined by Yantra de Vilder for Shine Out West, a once in a lifetime oppurtunity of a selection of great romantic works.

Highlighting the Season is the return of one of Australia's most popular entertainers, DAVID CAMPBELL, with his new show Let's Go. Don't miss your chance to join him in a show packed with his favourite hits and party anthems.

Based on the legendary tale, the Australian Ballet will present the lively ballet classic DON QUIXOTE. This light-hearted and colourful ballet features a rich diversity of characters, sets and costumes.

He’s stolen kisses and broken hearts, but has opera’s great Casanova gone a step too far? Find out in this exciting, new production of Mozart’s DON GIOVANNI.

Get ready for the beautiful and the absurd, the downright kooky and the breathtakingly brilliant as CIRCUS OZ thrills you with their renowned collective mayhem that never stops.

Always original and evocative, BANGARRA DANCE THEATRE presents two works inspired by old and new customs in a theatrical fusion of dance and visual art.

Discover the full Season line-up, including information on how to become a SUBSCRIBER at www.drtcc.com.au



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